Campaigns & Content
Fleur East for Darkus Magazine
A colour-blocked portrait series built around one idea: put the colour on the set, not in post. Working to the commissioning agency's brief, I owned the photographic visual execution — set direction, lighting direction, the shoot itself and the final selects — supported by a production and lighting team working via Marcelle Adrianna Studio.
Client
Fleur East for Darkus Magazine
Industry
Editorial · Music

Overview
A colour-blocked portrait series built around one idea: put the colour on the set, not in post. Working to the commissioning agency's brief, I owned the photographic visual execution — set direction, lighting direction, the shoot itself and the final selects — supported by a production and lighting team working via Marcelle Adrianna Studio.
Scope
- Editorial
- Cover story
One colour per look, carried through the whole frame.
One colour per look, carried through the whole frame.
Each set-up pairs a wardrobe colour with a ground that either matches it or fights it — pink on pink, blue fur on ochre, green suit on yellow. Nothing is stripped in afterwards: the backdrops were built and lit on the day so the talent, the styling and the set read as one surface. That decision is what lets the series hold together across eleven frames without repeating a pose.




Movement, held still.
Movement, held still.
The direction on the day was to keep her moving — hands to camera, crouched, mid-turn — and shoot into it rather than posing between beats. The sequence below is the run as it was shot, one look flowing into the next.




The hair slides carried the copy.
The hair slides carried the copy.
Typographic hair slides were styled into the looks so the story carried a line of copy without a graphic overlay. Shot close and in profile, they became the detail frames the press set needed.



The shoot as its own content.
The shoot as its own content.
The behind-the-scenes film was captured on the day rather than staged afterwards, so it doubles as a record of how the sets were built and lit.
ProductionPamela Nolan — via Marcelle Adrianna Studio
Lighting AssistantAntonio — via Marcelle Adrianna Studio
Deliverables
- Editorial
- Cover story
Outcome
Lighting AssistantAntonio — via Marcelle Adrianna Studio
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